![]() So it is slightly flattened and extended, and crammed with the typical distractions of everyday life that it’s too easy to ignore. This perspective is an attempt to draw in a way that captures how we experience a place (rather than simply how it looks from a static viewpoint). ![]() But… moving through an urban environment formed by many buildings, reading signs, interpreting other people’s behaviour, expressions – there are so many other stimuli which we read at the same time that we see a building. ![]() That’s why we draw a lot in perspective (mostly eyeballed rather than constructed), because it offers the closest approximation to being there. ‘What’s it like?’: the experience of being there in a building is fundamental. Pencil and pastel on tracing paper, 840 × 420 mm. – William Mann Witherford Watson Mann, Waiting Women – Dartford Interchange Interior Perspective, 1999.
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